Sometimes it’s hard in our day and age to find new ways to innovate with location sound gear. “Reinventing the wheel” or “game changer” are phrases which get used far too often in my opinion. Much of time time, a lot of the advances that we actually see are “quality of life” changes which make our day to day work easier. There’s absolutely nothing wrong … Continue reading REVIEW: Coga Sound BPS System
Halter Technical is a company started by people who actually worked in the field, and who really experienced the types of troubleshooting, pitfalls, successes, and desires of sound professionals first hand. When it comes to IFB headphones, the demands are not as simple as our own. It greatly factors in how the client will feel wearing them. I say “wearing them” in a broad way, … Continue reading REVIEW: Halter Technical Scene Monitor ver. 2
If you take a stroll down internet lane (or one of those fabled book stores from before COVID-19), you will likely be able to find a plethora of books about filmmaking. You’ll find them from directors, actors, producers, and sometimes even cinematographers. What you are very unlikely to find, until now, is much of anything about production audio. Coming from a career spanning 4 decades, … Continue reading HIGHLIGHT: Behind The Sound Cart: A Veteran’s Guide To Sound On The Set – by Patrushkha Mierzwa
After a long wait, the new generation is finally here. I remember how excited that I was when I got the old blue bag before it was even called Stingray. Now here we are with some huge improvements and the same robust and protective frame that is the Stingray. Some people are passionate about only looking for the smallest, lightest solution around. For me, that’s … Continue reading REVIEW: K-Tek Stingray Small X
Almost everything that I have ever heard about the Tentacle sync boxes has been positive. From the original Tentacle sync to the Tentacle Sync E, these little dynamos have changed the game. They’ve made timecode boxes incredibly small and convenient, and they’ve also pushed the competition to do the same. Ever since I switched to the Sync E’s, I have never looked back. They never … Continue reading REVIEW: Tentacle Track E
Since the Deity HD-TX has just been released, I feel that the time has finally come to give a good look at the Deity Connect system as a whole. The base Connect system has been out for a while, however since then, it has undergone enough firmware changes that it truly feels as if it has reached where it wanted to be at launch. Having … Continue reading REVIEW: Deity Connect & HD-TX
When the original S-Mic 2 was released, it made a huge impact on the low budget mic market. What was more, it sounded great. It punched far above its weight class to the point where it was a tool that I very much wanted to have in my arsenal, and still do. Its excellent build quality, off axis response, overall tone, and water resistance made … Continue reading REVIEW: Deity S-Mic 2s
You know what really isn’t fun? Being in the dark with the lights out, and having a hard time seeing your fader positions. You know what really is fun? Having your fader knobs glow in the dark! You know what else is fun? Having your fader knobs be different colors! As I find myself sitting here in a hotel room, between shoot days out … Continue reading REVIEW: Coga Glow Pots
Most of the time, I find myself writing and making videos and reviews about gear. But today, I’d like to change direction a bit and highlight an amazing resource that we all have as audio professionals, thanks to an incredibly devoted and industrious peer. Sound Mixer Thomas Popp, a man who has literally written THE book on wiring talent (if such a thing is possible), … Continue reading HIGHLIGHT: Video Mantis
I spend a lot of my time at work doing one-man band jobs. A lot of corporate, commercials, or narrative that requires sit down interviews with a C-Stand. But at various intervals throughout the year, I do also work on a good amount of narrative projects which require a boom operator. Because I am not a dedicated cart mixer, I need to keep my gear … Continue reading REVIEW: West End Recording COMM/IFB Box
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